Charles Dickens English Coursework

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Inside him burned, even then, a writer’s desire to expand upon incidents, convey a given atmosphere, give moral shape to a particular factuality. Shortly thereafter he began the first of his Pickwick pieces—”The Posthumous Papers of the Pickwick Club.” By now he was ready to marry, and to shift course as a writer.

He abandoned the writing of conventional journalism, though he worked for a while (two years) as an editor.

At the same time he immersed himself in his own world—reported on the workings of his mind’s imagination, its exceedingly vigorous life.

Soon enough a substantial segment of the English reading public, rich and poor and many, many in between, became familiar with the antic and sometimes soberly edifying carryings-on of Samuel Pickwick and his fellow clubsmen Nathaniel Winkle, Tracy Tupman, Augustus Snodgrass—and those they met: Alfred Jingle, Dr. Wardle, his daughters Bella and Emily, his spinster sister Rachael, Samuel Weller, Job Trotter, and the landlady Mrs.

No matter the success those years brought, there was in this greatest of storytellers an unyielding attachment of sorts to his early social and moral experiences; he worked them over repeatedly in the later novels— down-and-out English life, the exploitation, and, not least, the miscarriages of justice.

Charles Dickens English Coursework

No acclaim, no money, no amount of achieved influence seemed enough to stop him from looking closely at a nation he both loved and yet found urgently in need of reform.Some of the important details of the life of Charles Dickens are as familiar to many of us as the various qualities of mind and heart which we have come to associate with such memorable characters as David Copperfield and Philip Pimp, otherwise known as Pip; or Esther Summerson and Little Dorrit; or yes, Vohles, Jaggers, and Stryver, three lawyers whose names suggest no strong authorial admiration. His father was a clerk in England’s Navy Pay Office; he was, as well, all too relaxed when it came to spending the modest salary he earned.When Dickens was 12 years old (in 1824), his father was sent to prison because he had accumulated debts and lacked the means of paying them.True, Dickens tips his hand (as he so often does) with the name of Dedlock: Sir Leicester is indeed a baronet who (with others in England’s 19th-century nobility) is headed nowhere.The social foolishness, the moribund paralysis, intellectual and moral, of a particular upper class is more than indicated in the early chapters .Nor did his success as a writer and an eager public speaker, if not performer, prevent him from going back, time and again, to the memories generated by an earlier life: the child in a debtor’s prison, the youth struggling with a harsh and mean life, the young man observing lawmakers at their shilly-shallying or corrupt worst, and, above all, the apprentice writer taking note of lawyers—who, of course, are right there when men and women go to prison, or lose whatever rights or privileges they may have had, or find themselves in severe straits because the laws work this way rather than that way or on behalf of these people rather than those.Charles Dickens in his fifties, the most celebrated writer in Britain, still scanned hungrily London’s lowlife, a substantial population, indeed; and, doing so, gave us not only memorable characters (Jo of , the Dorrits of Marshalsea Prison, the prisoner Magwitch) but also terribly searching moral issues to consider and (he would surely have hoped) to connect in their continuing significance to our own considerably later lives.Bardell, not to mention those two shady lawyers Dodson and Fogg, and that shrewd master of realpolitik, the lawyer Perker.Samuel Pickwick, we all know, survives crooked lawyers and even, it seems, the temptations of love.) to that: how so-called practitioners skirt various temptations (or fail to do so); and how a certain lawyer or doctor justifies his work, comes to terms with his perceived obligations, responds in mind and heart to the hurt, the vulnerability, the alarm if not panic of his clients, his patients.Even as in we see George Eliot trying to comprehend the fate of Dr.


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