Expository Essay Heroes

Time and again, an analysis could demonstrate each of the “wrong turns” Macbeth and his wife made and compare this to the ignored warnings inherent in most of the archetypal stories of banishment from an idealized world.Mac Beth is a character that can be seen as a tragic hero.

Regardless of his actions, he retains a guilty conscience which continues to taunt him until his death.

This guilty conscience is something that follows him from the start of the play, when his first murder is committed, until he ends up a man with twisted morals and twisted faith.

In addition to that, his ambition and strong desire to become king leads to his fall.

His character starts to decline from that of someone once seen as a noble person to that of a violent man.

In it, the character of Macbeth is told of his future as a king of Scotland, and this begins a chain of events that leads to the tragic outcome.

In the play, greed ultimately destroys Macbeth’s potentially bright future, and he and his wife are banished from what may have been a glorious life.There are many mythologies, but most are known for having archetypes that many writers will base their own heroes or characters on.If you look at religious writings, literature, movies, and speeches, you will see a lot of influence from archetypal models.An “archetype” is considered to be the original on which many other ideals are based.For example, we have archetypal heroes that often come from ancient mythology.He becomes a monster because he is victimized by the witches, manipulated by his wife, and brought down by in ambition.He seems to be the evil villain when he kills his best friend in order to be king, and yet he feels incredible guilt for the acts that he has committed, something that a real monster would not feel.Of course, it isn’t just contemporary society that influences a writer.In fact, one of the major influences on almost all literature is mythology.Once upon a time, a little boy loved a stuffed animal whose name was Old Rabbit.It was so old, in fact, that it was really an unstuffed animal; so old that even back then, with the little boy's brain still nice and fresh, he had no memory of it as "Young Rabbit," or even "Rabbit"; so old that Old Rabbit was barely a rabbit at all but rather a greasy hunk of skin without eyes and ears, with a single red stitch where its tongue used to be.

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