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The poems are choreographed to music that weaves together interconnected stories.The choreopoem is performed by a cast of seven nameless women only identified by the colors they are assigned.
She says "we gotta dance to keep form cryin and dyin" and the other ladies repeat her words.
The lady in blue talks about how hard it is to press charges against a friend. They say that maybe it was a misunderstanding, or the woman caused it, and they ask her if she was drinking.
1 Highway in northern California and I was overcome by the appearance of two parallel rainbows. Shange also explains that she chose to use the word "colored" in the title of her choreopoem so that her grandmother would be able to understand it.
Structurally, for colored girls is a series of 20 poems, collectively called a "choreopoem." Shange's poetry expresses many struggles and obstacles that African-American women may face throughout their lives and is a representation of sisterhood and coming of age as an African-American woman.
Shange originally wrote the monologues as separate poems in 1974.
Her writing style is idiosyncratic and she often uses vernacular language, unique structure, and unorthodox punctuation to emphasize syncopation. in a way that mimicked how real women speak so she could draw her readers' focus to the experience of reading and listening.After a fight breaks out, the lady in yellow and Bobby leave and end up having sex in the back of the Buick.The other ladies start talking about their sexual preferences.As a choreopoem, the piece is a series of 20 separate poems choreographed to music that weaves interconnected stories of love, empowerment, struggle and loss into a complex representation of sisterhood.The cast consists of seven nameless African-American women only identified by the colors they are assigned.Throughout the monologue she intertwines English and Spanish. The lady in orange begins by saying she does not want to write in neither English nor Spanish, but she only wants to dance.She forgets all about words when she starts to dance.On her journey the lady in brown meets a young boy whose name is Toussaint Jones.The lady in brown feels likes she's met her real-life Toussaint and she leaves with him. She takes "those especially schemin/ tactful suitors" to go home with her.After moving to New York City, she continued work on for colored girls..., which went on to open at the Booth Theatre in 1976, becoming the second play by a black woman to reach Broadway, preceded by Lorraine Hansberry's A Raisin in the Sun in 1959.Shange updated the original choreopoem in 2010, by adding the poem "positive" and referencing the Iraq War and PTSD. has been performed Off-Broadway as well as on Broadway, and was adapted as a book (first published in 1976 by Shameless Hussy Press), a 1982 television film, and a 2010 theatrical film.