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She appears in only five of the play's twenty scenes; the pre-play course of her love story with Hamlet is known only by a few ambiguous flashbacks.
The Freudian critic, Jacques Lacan provides us with an excellent example.
However, Ophelia’s role is more than just a sexual arousal for Hamlet and psychosis for psychiatrist and specifically male critics to examine.
Scholars and critics throughout history have turned Ophelia into “an insignificant minor character” (Elaine Showalter). Shakespeare has given Hamlet a back story while the reader has no clue what Ophelia’s past is like.
Each critical essay is accompanied by a succinct introduction to the history, principles, and practice of the critical perspective, and a.
Bibliography that promotes further exploration of that approach. Introduction: Biographical and Historical Contexts. The Complete Text -- Note on the Text -- Textual Notes -- pt.