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The use of visionary, fantastic, or drug-induced imagery was prevalent.
Feeling and emotion were viewed as superior to logic and analysis.
For the romantics, poetry was believed to be the highest form of literature, and novels were regarded as a lower form of writing, often as "trash," even by those most addicted to reading them.
Most novels of the time were written by women and were therefore widely regarded as a threat to serious, intellectual culture.
Despite this, some of the most famous British novelists wrote during this period, including Jane Austen, Mary Wollstonecraft Shelley, and Sir Walter Scott.
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As a term to cover the most distinctive writers who flourished in the last years of the 18th century and the first decades of the 19th, “Romantic” is indispensable but also a little misleading: there was no self-styled “Romantic movement” at the time, and the great writers of the period did not call themselves Romantics.
Not until August Wilhelm von Schlegel’s Vienna lectures of 1808–09 was a clear distinction established between the “organic,” “plastic” qualities of Romantic art and the “mechanical” character of Classicism.
Many of the age’s foremost writers thought that something new was happening in the world’s affairs, nevertheless.
Despite that, his poetry was not received very well during his time.
Wordsworth on the other hand gained a lot of popularity for his very aesthetic and romantic susceptibilities.