Song Of Solomon Essays

It is a composition of color that heralds Milkman's birth, protects his youth, hides its purpose, and through which he must burst (through blue Buicks, red tulips in his waking dream, and his sisters’ white stockings, ribbons, and gloves) before discovering that the gold of his search is really Pilate’s yellow orange and the glittering metal of the box in her ear." There’s a lot going on there!

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She wants you to confront them with your eyes open.

The idea of crossing over a threshold into this space of awareness is addressed in the e-reading article "Unspeakable Things Unspoken: The Afro-American Presence in American Literature." As I mentioned earlier, although the essay is complicated in places, it is well worthwhile for a better understanding of how Morrison views American Literature and her place within it.

Giselle in the US/American context is very unique, but in Trinidad, which is where my family is from, Giselle was a name like Jennifer of the early 1970s—everyone had that name.

Walking down the street there, if I'm visiting family and someone yells out "Giselle," I'm always turning around thinking it must be me, having grown up in New Jersey, but six people will turn around.

To review: Morrison begins "Unspeakable Things" by talking about literary canons. It is somehow separate from them and they from it, and …

She observes that “There is something called American literature that, according to conventional wisdom, is certainly not Chicano literature, or Afro-American literature, or Asian-American, or Native American, or . this separate confinement, be it breached or endorsed, is the subject of a large part of these debates.” (1) In many ways, Morrison’s fiction has acted as a bridge between Black writing and the American literature that for years was taught only as works by dead white male authors.

In this light, I’d like to begin with the theme of names and naming in the novel. It seems to me that you're talking about a struggle—the individuality that your first name is supposed to give you but that you didn't get. I shortened my name to Art, a form my older sister and mother have never used and never will. Giselle Anatol: Names and ancestry show your position in a line of people and illustrate the idea of your parents, or whoever names you, wanting to connect you to others; however, you were determined to find your individuality. You were talking about “Dobratz” and how that connects you to a specific cultural and ethnic group. A name like Steinberg is identifiable as a Jewish last name.

There is a tension between belonging to a group and seeking a sense of one’s own self. But you’ve allowed us to weave migratory, national, and ethnic histories in. Participant: I have the same thing, a name connecting to my ethnicity. It was supposedly shortened from the name “Von Rykenberg” when my ancestors came.

So I belong to an ethnic or cultural group in one context, but my individuality is highlighted in another.

In terms of my surname, all of the Anatols in Trinidad are closely related.

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